Description
https://youtu.be/V7LqH9WsgS0
来自Andrei Cristian Anghel
Franz Liszt - Dessauers Lieder, S485
Performer: Valerie Tryon
These 'songs without words', as they might be called, represent a great proportion of the many such transcriptions that Liszt made. Just as with Liszt’s operatic transcriptions, there is quite a range of style and approach, but the primary aim here seems to have been the proselytizing one—making the music available to a wider public. Josef Dessauer (1798–1876), according to John Warrack’s sympathetic essay in Grove, and on the evidence of these transcriptions, was a gifted songwriter; sadly his name has really survived only as the dedicatee of Chopin’s opus 26 Polonaises!
Eichendorff’s ‘Temptation’ cajoles the listener into the garden by night to recall past joys—Liszt conjures up the poem’s imagery with very delicate (and remarkably inventive) figuration. Siegfried Kapper’s ‘Two Paths’ is a simple strophic poem describing the parting of the ways for two former lovers, and Clemens Brentano’s ‘Spanish Song’ is a bolero urging the poet on to Seville to worship his love. The increasing fervour of the poem is matched by Liszt’s variations.
0:00—Lockung
3:30—Zwei Wege
5:31—Spanisches Lied
Comments
你个死鬼,你去哪里了| ू•ૅ㉨•́)ᵎᵎᵎ
♥ 7 ↩ 1
又到了我最喜欢的阴间李斯特环节
♥ 6
这些 "无字之歌"在李斯特的众多改编作品中占有很大的比例。 就像李斯特的歌剧改编一样,李斯特对曲子的改编风格和方法也有很大的差异,但这里的主要目的似乎是--让更多的群众能够接受音乐。 约瑟夫-德绍尔(Josef Dessauer,1798-1876)根据约翰-沃拉克(John Warrack)在《Grove》中表示同情的文章,以及这些改编的证据,证明了他是一位天才的作曲家;遗憾的是,他的名字仅仅作为肖邦26首Polonaises的献词人而留存下来。 Eichendorff的《Temptation》意在诱使听众在夜晚进入花园,回忆起往昔的快乐--李斯特以非常细腻(且非常有创意)的构思来描绘这首诗的意象。 齐格弗里德-卡普尔的《Two Paths》是一首简单的短诗,描述了两对昔日恋人的分道扬镳,而克莱门斯-布伦塔诺的《Spanish Song》则是一首波莱罗舞曲,催促诗人前往塞维利亚探望他热恋的爱人。 李斯特的变奏配合着这首诗日益热烈的情绪变化。 0:00-Lockung 3:30-Zwei Wege 5:31-Spanisches Lied
♥ 4 ↩ 2
欢迎回来。
♥ 3
失踪人口[doge]
♥ 2
国庆快乐嗷[保佑]
♥ 1
上次是什么时候了?
♥ 1
肖肖国庆快乐啊[滑稽]
♥ 1
无词歌[热词系列_知识增加]
♥ 1
欢迎回来
♥ 1
[tv_流泪][tv_流泪]终于。。
♥ 1
第二首有点点匈二的感觉
tql
nb
短期失踪人口回归[支持]