Description
Franz Liszt - Fantaisie romantique sur deux mélodies suisses, S157
Performer: Leslie Howard
The Fantaisie romantique dates from the same period as much of the Album d’un voyageur, and is similar in style to the Fleurs mélodiques but at a much extended length. The opening section is based on the four-note motif heard in the first bar and a plaintive cow-call after the first upward flourish. The cow-call is transformed into a pastoral Allegretto, and a second flourish leads to the first theme proper. This theme eventually recalls the four-note motif. The second theme, marked ‘La nostalgie—Mal du pays’ (which does not come from No 7b of the Fleurs mélodiques, pace Humphrey Searle) is stated in octaves with repeated chordal accompaniment. Thereafter, all the material is subjected to very free, improvisatory development, exploiting a wide range of colours. Of course this is all a bit wild and rambling, but the sheer originality of the piece quietens academic criticism.
Comments
这首浪漫幻想曲基于两个瑞士旋律主题创作,与旅行者札记(Album d'un voyageur)中的大部分作品创作于同一时期,是李斯特的早期作品,风格与其中的第二册阿尔卑斯山的花之旋律(Fleurs mélodiques des Alpes)相似,但长度更长。这首幻想曲开头部分由四音符主题和第一个向上的华彩乐段后引出的哀怨的母牛叫声。母牛叫声随后则变成了田园风格的快板,后面的第二个华彩乐段引出了第一个正式主题。这个主题也让人想起了四音符主题。第二个主题标记为“La nostalgie—Mal du pays”,需要注意的是这个主题并不是来自阿尔卑斯山的花之旋律中的第7b号,但最终这个主题用在了旅行岁月(Années de pèlerinage)中的乡愁(Le mal du pays)中。第二主题以八度音程的方式呈现,并伴有反复而又快速的的和弦伴奏。此后,所有素材都经过非常自由的即兴发展。当然,这一切都似乎有点疯狂和散漫,但这首作品的纯粹的原创性平息了当时的学术批评。
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