【钢琴】李斯特 - 柏辽兹：幻想交响曲 S.470

Description

https://youtu.be/yWEwwq8T3rE
Franz Liszt - Épisode de la vie d'un artiste – Grande Symphonie fantastique par Hector Berlioz, S470
Performer: Roger Muraro

Berlioz’s Symphonie fantastique requires no introduction or apology, but things were not so in the early years of its history. Although Berlioz had a certain success with the work, it took some time before it became a repertoire piece. Publishers for the parts and score could not be found, and Liszt’s transcription represents the work’s first appearance in print. Liszt proselytised endlessly for this and many another work of his great colleague, and the transcription served to clarify many a mind confused by an inadequate orchestral performance of the piece. Schumann was obliged to fall back upon Liszt’s transcription to review the work—fortunately, Liszt supplies copious indications of the original orchestration—and this remained the only printed score until 1845. By this time, Berlioz had permitted himself a good many alterations to the original text, and it has become somewhat common for pianists to alter Liszt’s transcription correspondingly. But because, for example, there is a strikingly different passage in the second movement, it has been decided for this recording to present the transcription as it was originally published. The only solution which has to be made is towards the end of the first movement, where Liszt places on a third stave the notes which he perhaps felt that two hands might not be able to reach, but which, with very little adjustment, can actually be grafted onto the main text. The fourth movement is given here in its original transcription too, rather than the 1865 revision which was intended for separate performance, is somewhat simplified, and is extended with an introduction—a rather weak revision of Liszt’s excellent little propaganda piece: Idée fixe—Andante amoroso

Comments

Hau-Hao 2021-01-08

李斯特 - 柏辽兹幻想交响曲 S.470 (after H.Berlioz) 柏辽兹的《幻想交响曲》已经不需要介绍了，但在其历史的早期，情况并非如此。尽管柏辽兹在这部作品上取得了一定的成功，但它要成为可出演的曲目还需要一段时间。由于柏辽兹找不到乐段和乐谱的出版商，李斯特的改编是这部作品第一次出现在印刷品上。李斯特和他的同事为这部作品和许多其他作品进行了无休止的宣传，而这首改编曲则澄清了许多因管弦乐演奏不足所带来的困惑。舒曼不得不依靠李斯特的改编来复习这部作品--幸运的是，李斯特提供了大量的原始配器指标--而这一直是唯一的印刷乐谱，直到1845年。到了这个时候，柏辽兹自己又对原文做了很多改动，钢琴家们也相应地开始普遍改动李斯特的改编版。例如第二乐章中有一个很明显的不同段落，所以在这张唱片中我们决定按原来出版的改编版来呈现。唯一需要解决的问题是在第一乐章的结尾处，李斯特将他认为两只手可能无法触及的音符放在第三行谱表上，但只要稍加调整，这些音符实际上就可以移植到正文中。第四乐章在这里也是原版，而不是1865年的修订版，原版的目的是为了单独演奏，有些简化，并加了一个引子--这是李斯特一首优秀的小“宣传曲”的一个相当薄弱的修订版。"Idée fix-Andante amoroso

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