Description
作曲家简介：
详见 BV1BA7Z6MEDj
关于作品：
00:05 - No.1 in C Major: Allegro
01:07 - No.2 in F Major: Allegretto
02:29 - No.3 in A Minor: Grave
04:34 - No.4 in D Minor: Mosso
05:16 - No.5 in G Major: Andando
06:30 - No.6 in E Minor: Allegro
07:27 - No.7 in B Minor: Grave
09:35 - No.8 in D Major: Allegretto con grande delicatezza
10:56 - No.9 in A Major: Allegro non tanto
11:57 - No.10 in F-Sharp Minor: Presto
12:38 - No.11 in C-Sharp Minor: Lento (Alla memoria di mio Padre)
15:44 - No.12 in E Major: Largo con maestà
17:22 - No.13 in B Major: Tranquillo, delicato
18:30 - No.14 in G-Sharp Minor: Molto lento, lugubre
20:45 - No.15 in D-Sharp Minor: Agitato
21:40 - No.16 in F-Sharp Major: Molto tranquillo e semplicissimo
22:58 - No.17 in G-Flat Major: Molto tranquillo e semplicissimo
23:55 - No.18 in D-Flat Major: Larghetto
26:25 - No.19 in B-Flat Minor: Alla Marcia, svelto
26:55 - No.20 in F Minor: Presto, fantastico
27:42 - No.21 in A-Flat Major: Lento, a capriccio
30:47 - No.22 in E-Flat Major: Presto
31:16 - No.23 in C Minor: Grave
33:27 - No.24 in G Minor: Vigoroso, elementare
34:33 - No.25 in B-Flat Major: Calmo, disteso
这套作品的调性推进大体依五度圈排列，但开头几首为了实现最终落点落在降B大调，做了短暂“绕路”；并且从一定位置开始呈现“成对出现的大调/小调”模式，而不是常见的“大小调交替”。同时，佩拉基奥明确认为升号体系与降号体系的同音异名并不等价，因此写了两首相邻的前奏曲分别用升F大调（第16首）与降G大调（第17首），两首速度提示都写 Molto tranquillo e semplicissimo，但他认为两首在“色彩”上刻意区分；且第16首以“半终止感”收尾来加强与第17首的连接。该作最后一首被设计成向巴赫致敬——作品末段出现“in nomine Johannis Sebastiani”字样，并以《约翰福音》8:32 的引文（作为结尾的文本指向）来收束整套作品。
演奏者：
David Korevaar
音频来源：专辑 [Luigi Perrachio: Nove Poemetti and 25 Preludi for Piano]
曲谱来源：IMSLP