【钢琴】李斯特－圣母颂：来自洛姆的钟声 S.182

Description

https://youtu.be/NeQ3mqCd2Jg
来自Andrei Cristian Anghel
Franz Liszt - Ave Maria 'Die Glocken von Rom', S182
Performer: Roger Owens

An obscure, very sensitive recording by Roger Owens of this short but moving work. Dated from 1862, the E major Ave Maria is not connected with any vocal work, and although the rhythm fits the opening of the text, the ecclesiastical connection remains general. The work unfolds with a five-note introduction which will return at the end, fully harmonized; at bar 41, low notes at the extreme range of the piano imitate distant bells in accordance with Liszt's markings—from bar 86, these tolling bells build to a magnificent fff trionfante climax on three staves before the brief but solemn closing section in which the bells grow ever-distant. This wonderful gem was composed for the piano method of Lebert and Stark.

Comments

Hau-Hao 2020-08-07

李斯特 - 圣母颂：来自洛姆的钟声，S182 (欧文斯) 罗杰-欧文斯为这首短小而动人的作品录制了一张不为人知、非常灵性的唱片。这首名为E大调的《圣母颂》的曲子是1862年的作品，且与任何声乐作品都没有联系。即使节奏符合乐曲的开头，但与教会的联系依旧很少。作品以五个音符的引子展开，接着又在最后将这些音符完全和谐地回归；在第41小节，钢琴极端范围内的低音符按照李斯特的标记来模仿远方的钟声--从第86小节开始，这些鸣响的钟声在三个音阶上建立起一个宏伟的fff trionfante高潮，然后才是简短而庄严的结尾部分，最后使钟声听起来越来越远。这首美妙的作品是为莱伯特和斯塔克的钢琴法而创作的。

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