【钢琴】李斯特 - 未婚妻大幻想曲 S.385i

Description

https://youtu.be/DC1Fu3bQCi4
来自Franz Liszt-Chopin
Franz Liszt - Grande fantaisie sur la tyrolienne de "La fiancée", S385i
Performer: Wai Yin Wong

This work appeared – as did many a Liszt operatic fantasy – hard on the heels of the first performance of the opera upon which it is based (both works date from 1829) and is the first of Liszt’s mature works based upon operatic themes. (There are early sets of variations, and an Impromptu) As we have previously noted, Liszt revised the piece in 1839, and reissued it in 1842, in what the Neue Liszt-Ausgabe somewhat ingenuously describes as a third version, with alterations so tiny (the piece is bar-for-bar the same as the second version, a few wrong notes are corrected, and half a dozen accompanying chords are slightly redistributed) that the second version does not merit separate performance or recording. The whole piece is based on the tenor aria from the second act of the opera, and is really an old-fashioned introduction, theme, variations – each with its concluding ritornello – and coda. In the original version the work consists of a long and very florid introduction (much shortene in the later versions, although there we find an added anticipation of the last variation) followed by the theme, four variations and finale. Liszt later dropped the original second variation, and altered the tonality at the beginning of the martial variation 3, whereas in the present version the music clings fairly rigidly to the tonic, only moving to the subdominant for the Barcarolle – variation 4. Without making great claims for its intrinsic musical merit, the piece remains important for being the first in a long and distinguished line, and for presenting for the first time the fully-fledged Liszt the pianist, with a devilish delight in what extreme demands may be made upon two hands at one keyboard.

Comments

ChloeQxQ 2020-05-22

未婚妻看到谱子表示被吓跑了

♥ 72 ↩ 3

建州De何龙古 2020-05-22

梦醒，床头空无一物[tv_目瞪口呆]，仅有窗外节奏错落的雨声[tv_流泪]

♥ 49

ReNormalize 2020-05-22

有没有未婚夫大幻想曲[doge]

♥ 45 ↩ 3

大菜帝 2020-05-22

早期的幻想曲包括犹太女人这种最可怕的点在于标了很严格的速度练的时候节拍器一响只想自杀

♥ 31 ↩ 2

RevanYZ 2020-05-22

李斯特是有多喜欢降二级。

♥ 21

CalciumFluoride_ 2020-05-22

这原来是李哥第一首成熟之作[喜欢][喜欢]真好听[喜欢]

♥ 16 ↩ 1

mcdtaursmbyzddh 2020-05-22

小伙子结婚了吗发出三姑六婆的声音[doge]

♥ 12

萌萌哒的小表弟 2020-05-22

这曲名实属nb

♥ 11 ↩ 3

Hau-Hao 2020-09-04

这部作品和李斯特的许多歌剧幻想曲一样，出现在它所根据的歌剧（两部作品都是1829年的）首演之后，是李斯特以歌剧主题为基础的第一部成熟作品。(有早期的变奏曲集，还有一部《即兴曲》)正如我们之前所提到的，李斯特在1839年对该曲进行了修改，并于1842年重新发行，在《Neue Liszt-Ausgabe》中有点巧妙地将其描述为第三版，其改动非常微小(该曲的小节与第二版相同，几个错误的音符得到了纠正，六七个伴奏和弦也略有重新分配)，以至于第二版不值得单独演出或录制。全曲以歌剧第二幕中的男高音咏叹调为基础，实际上是一个老式的引子、主题、变奏曲--每一个变奏曲都有它的结尾ritornello--和尾声。在最初的版本中，该作品由一个长长的、非常华丽的引子组成（在后来的版本中大大缩短，虽然我们发现最后一个变奏的预期），然后是主题、四个变奏和终曲。李斯特后来放弃了原来的第二个变奏，并改变了调性，在开始的martial变奏3，而在目前的版本中，音乐坚持相当严格的调性，只有移动到次主音的Barcarolle - 变奏4。这首曲子在音乐上并没有什么大的优点，但它仍然很重要，因为它是一个漫长而杰出的系列中的第一首曲子，并且第一次展现了钢琴家李斯特的成熟，他兴奋地对键盘上的两只手提出了极端要求。我们必须记住，这是1829年：舒伯特、贝多芬和韦伯才刚刚离去，肖邦的十首练习曲还没有出现，柏辽兹的《幻想曲》也没有出现，李斯特还没有听到帕格尼尼的演奏）。 P：Wai Yin Wong

♥ 9