【钢琴】李斯特 - 威尼斯与拿波里 S.159

Description
Franz Liszt - Venezia e Napoli, S159
Performer: Jue Wang

00:00 - 1. Lento
07:12 - 2. Allegro
09:52 - 3. Andante placido
13:44 - 4. Tarantelles napolitaines . Allegro vivace

By around 1840 Liszt had already sent the first collection of piano pieces entitled Venezia e Napoli to the printers, and a proof copy had been despatched, when he must have decided not to proceed with the publication—we know not why. In 1859 he revised the last two numbers of the set and inserted a short new piece to make up the second collection under this title, which was issued as a supplement to the Deuxième Année and which has always been enormously popular. The original versions make very interesting listening, even though it might be argued that trills inside tenths make gondoliering difficult or that there are almost too many steps to the bar in this particular tarantella. The second piece is curious. Its two unrelated themes are probably folkish in origin, but are neither of them so sufficiently distinguished as to be identifiable, as far as the present writer is aware. The first piece is of a greater order altogether. Liszt may already have seen its orchestral possibilities when he withdrew it as a piano piece, and certainly all those who know the symphonic poem Tasso—Lamento e Trionfo, which came to its final fruition in 1854, will have no trouble in recognizing this gondolier’s song. But the piano piece is imposing in itself and might well be performed independently of the other slighter pieces, charming though they be.

Comments

Hau-Hao 2020-08-08

"大约早在1840年,李斯特就已经将第一套名为《Venezia e Napoli》的钢琴曲集寄给了印刷厂,而校样也已经寄出,但我们不知道为什么,他又不再继续出版了。1859年,他修改了这套书的最后两部曲子,并插入了一首短小的新曲子,组成了这套书的第二部曲集,作为Deuxième Année的补编发行,并从此受到极大的欢迎。尽管有人争论说,十度的颤音会使gondoliering的演奏变得困难,又或者说,在这首特别的塔兰泰拉中,小节的音阶几乎太多,但原版的演奏听起来还是非常有趣。第二首曲子很奇怪。它的两个不相关的主题很可能是起源于民间的,但据本作者所知,它们的区别都几乎小到难以辨认。第一首曲子的顺序就更大了。李斯特在把它收回来作为钢琴曲时,可能已经看到了它在管弦乐方面的可能性,当然,所有知道交响诗《Tasso-Lamento e Trionfo》(1854年最终完成)的人,都会不难认出这首gondolier的歌。但这首钢琴曲本身就很有气势,很可能会被独立于其他较短小的曲子来演奏,虽然另外的曲子也很迷人。” 李斯特的创作过程往往是漫长而复杂的,经常跨越他一生中几十年的时间。对于这套曲子,故事相当简单。最初写于1840年,李斯特决定暂不出版,直到1859年,此时他已经做了相当大的改动。不幸的是,这并没有阻止一大堆错误标注的出现。许多后一套的演奏都标上了这一套的目录号,使得真正的演奏真的很难找到。据我所知,wang的演奏是唯一上传到YouTube的。他把这份作品演绎得很好,值得一听。

♥ 15

SchuwennZ钢琴作曲 2020-07-12

第17分56秒这个手写降号就很灵性

♥ 7

Scott_piano 2021-04-02

17:42进入最爱段

♥ 4

SchuwennZ钢琴作曲 2020-07-12

这个塔兰泰拉。。一言难尽。。像下水管道被堵住了一样让人很不爽(快不起来)

♥ 3 ↩ 1

原来是小曹 2020-10-31

求初版 塔兰的谱

♥ 1 ↩ 1

RevanYZ 2020-07-13

第1首就是塔索啊,后面还有一点但丁读后感的感觉。

♥ 1

作业优秀 2024-01-12

这个塔兰泰拉的最终版编号是多少啊

♥ 1 ↩ 1

Tanjiro- 2023-01-01

13:34

♥ 1

Kaede庭 2020-07-14

来了来了

顾芷鸢 2020-07-13

今天也是李哥真爱粉

Kaede庭 2020-07-12

来了来了

Thalbergノfantasy 2020-07-12

Молодец!

林花狼藉酒阑珊 2020-07-12

开幕雷击,这琶音

よしそうたね 2024-06-30

13:32

Christana克里斯塔娜 2022-12-06

woc,塔索![doge]