【钢琴】李斯特 - 6首安慰曲 S.172

Description

Franz Liszt - Consolations – Six pensées poétiques, S172
Performer: Nelson Freire

Although the Consolations have always been very popular among Liszt’s works, especially amongst amateurs relieved at the relative absence of transcendental technical requirements, they are not so often encountered as a complete set. The final version of the pieces seems to require hearing in toto from time to time – no matter how demonstrable it may be that the third is a masterpiece in its own right (and it is interesting that this piece was a replacement of another in E major, which eventually found its far more appropriate resting-place – since it is a setting of a Hungarian folksong – in the first of the Hungarian Rhapsodies). The title originated with an anthology of Sainte-Beuve which had appeared in 1830, although there are no specific references by Liszt to that poet’s work. The design of a guiding star printed above the fourth Consolation gave rise to that work’s now little-used nickname. Although the second and sixth pieces have their moments of extroversion, the general tone of the set is restrained. However, they do not cry out for the desperately ‘worthy’ style of performance to which they are so often subjected!

Comments

ChochoAngel 2023-03-25

尽管李斯特的安慰曲很受欢迎（尤其是第三首，但有趣的是第三首却是初版中第三号作品的替代品），甚至常常被业余爱好者演奏，但这些作品却并不经常作为完整的曲目出现，李斯特甚至还指出第1，2首安慰曲应该属于一体，中间不应有过多停顿。Consolation这个标题起源于 1830 年出版的Sainte-Beuve选集，尽管李斯特没有具体提到这位诗人的作品。印在第四号Consolation上方的指路星设计也为该作品赋予了现在很少使用的昵称。这部1849–50创作的作品虽然在第二首和第六首中有一些外向性情感的抒发，但整套曲子的基调是内敛的，更像是内心的省视，朴素动人。

♥ 71 ↩ 2

ChochoAngel 2023-03-25

00:00 - 1.(Andante con moto) 01:40 - 2. (Un poco più mosso) 04:09 - 3. (Lento placido) 08:26 - 4. ✬ (Quasi Adagio) 11:23 - 5.(Andantino) 13:44 - 6.(Allegretto sempre cantabile)

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