【雨果•阿尔芬】瑞典狂想曲第三号 (Hugo Alfvén - Swedish Rhapsody No. 3, Op. 47) (1931)

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合集 · Hugo Alfvén (12)

  1. 11:43
    瑞典狂想曲第一号“仲夏守夜” (Alfvén - Swedish Rhapsody No. 1 "Midsommarvaka", Op. 19)
  2. 10:49
    瑞典狂想曲第二号 Alfvén : Swedish Rhapsody No. 2 'Uppsalarapsodi' Op. 24 (1907)
  3. 21:18
    瑞典狂想曲第三号 (Hugo Alfvén - Swedish Rhapsody No. 3, Op. 47) (1931)
  4. 37:48
    第一交响曲 (Hugo Alfvén - Symphony No.1 in F-minor, Op.7) (1897)
  5. 53:24
    第二交响曲 (Hugo Alfvén - Symphony No. 2 in D Major, Op. 11)
  6. 38:52
    第三交响曲 (Hugo Alfvén - Symphony No.3 in E-major, Op.23) (1905)
  7. 48:15
    第四交响曲“来自远洋” （Hugo Alfvén: Symphony No.4, Op.39 "Från havsbandet") (1919)
  8. 54:03
    第五交响曲 (Hugo Alfvén - Symphony No.5 in A-minor, Op.54) (1953)
  9. 9:57
    节日前奏曲 (Hugo Alfvén: Festive Ouverture, Op.52)
  10. 16:41
    交响诗“群岛传说” (Hugo Alfvén: En skärgårdssägen, symphonic poem, Op.20) (1904)
  11. 1:18:50
    贝尔加库根 (Hugo Alfvén - Bergakungen, Op.37) (1923)
  12. 5:30
    牧羊女之舞 (Hugo Alfen - Shepherd-girl's Dance)
Description 
https://m.youtube.com/watch?v=uFQD8_3ly1Q

Hugo Emil Alfvén (1 May 1872 – 8 May 1960) was a Swedish composer, conductor, violinist, and painter.

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Swedish Rhapsody No. 3, Op. 47 "Dala-Rhapsodien"

Stockholm Philharmonic Orchestra conducted by Stig Westerberg

Description by Aaron Rabushka
This music, referred to in English as the "Dalecarlian Rhapsody, " is basically a brooding study in loneliness. It opens with a soprano saxophone solo over a darkly brooding accompaniment. The composer has suggested images of a lonely maiden in the forest, whose loneliness is a bit relieved by a passing bridal procession and memories of village dances. The image of a crazy man fiddling at a village dance adds a note of gaudy grotesquerie toward the end, stepping up the forward momentum and adding some garish trills and modal extensions to the conventionally tonal harmonic language.

The composer avows using several Swedish folk melodies along the way. Strings and woodwinds are prominent in the orchestration with brass and percussion underlining some tutti sections. The work ends with a reference to the opening soliloquy of the soprano saxophone.

info about Hugo Alfvén https://en.wikipedia.org/wiki/Hugo_Al...