这个世界本来就是痛苦的 没有例外【日本先锋派/噪音/数字摇滚/Zeuhl/残酷前卫】Ruins – Infect(1988)
合集 · Avant-Prog/Brutal Prog/Zeuhl/Rock in Opposition (20)
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【保加利亚先锋/后金属/噪音/爵士摇滚/残酷前卫】【近期佳作推荐】ТДК(TDK)- Nemesta(2023)
34:52
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【前卫/艺术/爵士/实验摇滚/残酷前卫】black midi - Hellfire (2022)
37:53
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【如梦似幻的怪诞氛围】【法国前卫摇滚/先锋派/Zeuhl】Arachnoïd - Arachnoïd(1979)
1:06:18
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【伏都布吉的魔法与巫术】【瑞典另类/实验/艺术摇滚/先锋派/Zeuhl】Kräldjursanstalten – Voodoo Boogie (1981)
38:40
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这个世界本来就是痛苦的 没有例外【日本先锋派/噪音/数字摇滚/Zeuhl/残酷前卫】Ruins – Infect(1988)
39:35
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极致先锋艺术 天堂之门 阿帕拉塔马戏团【瑞典民间音乐/反摇滚/先锋派/爵士融合摇滚/Zolo】Samla Mammas Manna – Måltid(1973)
57:03
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梦想 大海 空缺 大都会 暴力侵袭【日本先锋派/残酷前卫/噪音摇滚】ルインズ波止場 – Close the the RH 嬉嬉(2003)
55:54
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怪异之子的面孔 三重疾苦的降临伊始【法国太空/实验摇滚/先锋派/Zeuhl】Zero Zero Zero - Crypto Sensus(2000)
58:58
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普尔加斯之书 利益的连接 身体的局部改造【美国实验摇滚/自由即兴/先锋爵士/声音拼贴/后硬核/Zolo】Pulgas - The Book of Pulgas
56:07
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麦田叙事的妍丽画卷 过去与未来癫狂交汇【日本/法国先锋派/平曲/残酷前卫/电子/Shōmyō】PoiL Ueda - Yoshitsune(2023)
40:01
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Frank Zappa的影响产物 狂放且不失幽默的创作 古怪的弹奏下 让人无比满足【比利时实验爵士摇滚/先锋派】The Wrong Object
59:45
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我们试图将20世纪古典作曲家的声密度、丰富编曲与现代音乐制作聚焦结合起来【交响乐前卫/先锋派/爵士摇滚】Eunuchs - Harbour Century
55:57
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回归本源 释放天籁 探索女性音乐力量【自由即兴/先锋/室内爵士/实验歌剧】Erika Angell - The Obsession With Her Voice
45:32
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怪!怪!怪!好怪噢!再听一遍!|电子降星术下的的奇异交响【先锋民谣/太空氛围/前卫电子/Zeuhl】Archaïa - Archaïa
50:51
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这下不得不听了 奇异世界搅拌机 偏头痛的克星【第三流派/先锋派/极简合成器/反摇滚/融合爵士/先锋民谣】Marc Hollander / Aksak Mabo
58:23
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在自我构建的虚幻世界中 探寻那些超越‘声音’的灵魂之音【先锋前卫/拉丁/艺术/前卫摇滚/爵士融合】Geordie Greep - The New Sound
1:10:18
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无界限声响试验场 奇迹篇章被涂抹上多色彩的笔触 任由艺术家在空白的画布上挥洒着【先锋前卫/吉普赛爵士/克莱兹默/波尔卡舞】L' Ensemble rayé
50:20
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有些唱片你看着封面,几乎就能“闻”到它的声音
1:15:49
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这种音乐还得是日本人会玩
38:23
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致敬Frank Zappa:四十余人同台,一场意式前卫交响的疯狂实验。
35:40
Description
1988年11月30日发行 支持艺术家作品:https://ruins.bandcamp.com/album/infect Bass, Violin, Vocals – Kazuyoshi Kimoto Drums, Vocals, Percussion – Tatsuya Yoshida Producer, Recorded By, Mixed By – Ruins Ruins are not altogether obscure, but their early work sure is. "Ruins III" (later reissued as "Infect") is their first full-length, a true would-be math rock masterpiece that was released well before the genre was given a name. This album is somewhat hard to find, even through file-sharing, but it's 100% worth the effort. The music primarily consists of highly complex/chaotic drums and heavily distorted bass, punctuated with crazed violin strains and vocal yelps/shrieks in a non-sensical language. The low fidelity of the recording and the sweatiness of the performances really gives you a feeling of being at the session. I played part of this album (I think it was the track "B.U.G.") for a friend of mine and he immediately exclaimed "Lightning Bolt!" While I do enjoy L.B., it would be an exercise in futility to deny that they based their sound almost entirely on the template of Ruins. 1.Government 00:00 2.Hallelujah! 02:37 3.Grudge 07:39 4.Mascari 09:28 5.Komorebi 11:28 6.B.U.G. 13:01 7.Fragment 20:08 8.Ripples 21:19 9.Divided 23:59 10.Octopus 26:14 11.Dadaism 29:34 12.Infect 33:39