平衡巴西音乐和极简主义的边界【巴西后摇/艺术流行/嗡鸣/新迷幻/MPB】Ricardo Dias Gomes - Muito sol(
合集 · Pop/Art Pop/Baroque Pop/Experiment Pop/Indie Pop (25)
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【美国艺术/巴洛克流行/钢琴/软摇滚】Weyes Blood - And in the Darkness, Hearts Aglow
46:31
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【日本涉谷系/流行电音/新迪斯科/艺术流行】セラニポージ(Serani Poji)– One-Room Survival (2002)
46:43
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【日本合成器流行/布吉音乐/City Pop】上田正樹(Masaki Ueda)– After Midnight(1982)
42:32
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【日本合成器流行/融合爵士/迪斯科】惣領泰則(Yasunori Soryo) & Eve – Peyote(1981)
38:09
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【日本流行摇滚/City Pop/AOR】三原順子(Junko Mihara)– Windy City(1983)
40:07
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【日本流行合成器/新世纪古典主义/新浪漫】高橋幸宏(Yukihiro Takahashi)- Tomorrow's Just Another Day(1983)
41:00
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【英国前卫/艺术摇滚/前卫流行】Barclay James Harvest - Gone to Earth(1977)
1:08:59
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【哥伦比亚环境音乐/艺术流行/电子音乐】Lucrecia Dalt - Syzygy (2013)
32:06
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【美国巴洛克/阳光/迷幻流行】Harry Nilsson - Aerial Ballet (1968)
36:43
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【美国巴洛克流行/艺术流行/流行摇滚】Harry Nilsson - Pu**y Cats (1974)
37:17
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【City Pop/粤语流行/软摇滚/华语流行】Jackie Chan (成龍) - The Best Of Jackie Chan (1988)
41:18
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【日本民谣摇滚/爵士流行/乡村摇滚/流行民谣】Haruomi Hosono(細野晴臣) - Hosono House (1973)
32:10
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【日本软摇滚/民间摇滚/民间流行】Happy End - Happy End (1973)
30:11
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【日本迷幻/流行/乡村/民间摇滚】はっぴいえんど(Happy End) - 風街ろまん (1971)
37:23
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【涉谷系/巴萨诺瓦/流行爵士/阳光流行】 Lamp -「恋人へ」(2004)
33:35
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【流行爵士乐/City Pop/涉谷系/当代民谣】Lamp - Gensou ランプ幻想 (2008)
50:04
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【叮当流行/新浪潮】SKYTONE - JANGLEWAVES (2007)
45:00
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【法国拉丁/合成器/迷幻流行/雷击顿/新迷幻】La Femme - Teatro Lúcido(2022)
51:14
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【美国新迷幻/爵士/迷幻摇滚/致幻流行/迷幻灵魂】Unknown Mortal Orchestra - V(2023)
1:00:15
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【霓虹灯下的情迷意乱】【英国雷鬼/合成器/另类流行/声音拼贴】Colourbox - Colourbox(1985)
52:42
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平衡巴西音乐和极简主义的边界【巴西后摇/艺术流行/嗡鸣/新迷幻/MPB】Ricardo Dias Gomes - Muito sol(
37:14
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现代音乐中的一颗迷幻流行宝石 怀旧音景依旧是二人的杀手锏【噪响/迷幻/强力流行】The Lemon Twigs – A Dream Is All We Know
34:22
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忧郁歌声仅用寥寥数语就能勾勒出叙事 在美感与断裂的威胁感之间游走【氛围/室内音乐/艺术流行/新古典暗潮】Kelley Forsyth - The Hollow
37:20
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网络时代的音乐浮世绘 超现实数字幻境 复古未来主义【新迷幻/独立电子/另类舞曲/前卫/合成器流行】Magdalena Bay - Imaginal Disk
53:43
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好怪异的想象力!日本流行音乐的最佳范本?
42:34
Description
2023年6月9日发行 支持艺术家作品:https://ricardodiasgomes.bandcamp.com/album/muito-sol Hive Mind Records are excited to bring you Muito Sol, the third solo album from Brazilian auteur Ricardo Dias Gomes. The album is a deep, widescreen exploration in classic Brazilian song that brings all the subtlety and delicacy you'd expect from the pioneers of Musica Popular Brasileira coupled with a thoroughly 21st century sensibility and taste for sonic innovation. A respected innovator on the Rio de Janeiro music scene since the mid 90s, Gomes is perhaps best known for his work on the trio of critically-acclaimed albums Caetano Veloso released in the late 00s: Cê (2006), Zii and Zie (2009) and Abraçaço (2012). Playing bass on these modern milestones in post-Tropicalia, and subsequently touring the world with Veloso, inspired Gomes to record his debut album -11 (2015), followed by the mini-album Aa, which featured Arto Lindsay (2018). Muito Sol was recorded between New York, Lisbon & Rio de Janeiro and features a stellar cast of global players such as Jeremy Gustin (drums), Will Graefe (guitars), Ryan Dugre(guitars), Gil Oliveira (percussion), Alex Toth (trumpet), Tiago Queiroz (sax, flute), Jonas Sá (synths), Julian Desprez (guitars), Pedro Sá (guitars) & Shahzad Ismaily (synths); the album is often deceptive in its simplicity and repeated listens reveal layers of intricate instrumentation and arrangement, making listening something like an exciting exercise in excavation. The album was recorded following Gomes' move from Rio to Lisbon and was inspired by the sense of unease that followed the move from a culture of vibrant spontaneity to a more genteel and 'civilised' country. Unlike Gomes' previous solo outings, Muito Sol includes a number of songs that explicitly celebrate Brazil's musical heritage and culture that are based on the Samba Ostinato. Muito Sol is a sun drenched dream from start to finish and album to be bathed in.