French Recital

合集 · ♪ 人鱼の歌剧 ♪ (7)

  1. 4:10
    歌剧《Lascia ch'io pianga》(让我痛哭吧)
  2. 4:39
    内含High bE!!!尝试直录演唱歌剧中的高难度花腔咏叹调《亲切的名字》(Caro Nome)
  3. 2:45
    Caro mio ben(我亲爱的~)
  4. 3:16
    『鱼の歌』Musica Probita | 被禁止的音乐 | 愿你每天都能听到那充满爱意的情歌
  5. 41:54
    【Recital | 2023】异常仓促的音乐会 优雅的学术垃圾
  6. 3:30
    中国艺术歌曲 | 青玉案·元夕 | 蓦然回首,那人却在,灯火阑珊处 Hi-Res
  7. 45:47
    French Recital
Description
PROGRAM

 
Quatre chansons de jeunesse                                      
Achille-Claude Debussy
(1862—1918)
Pantomime
Clair de lune
Pierrot
Apparition
 
 
Me voilà seule dans la nuit...Comme autrefois                                                                                 Georges Bizet
	(from Les pêcheurs de perles)                                                                                                             (1838–1875)
 
 
 
Intermission
 
Les fleurs me paraissent plus belles... Pourquoi dans les grand bois                                               Léo Delibes
	(from Lakmé)                                                                                                                                       (1836–1891)
 
 
Fiançailles pour rire
Francis Poulenc
(1899–1963)
La Dame d'André 
Dans l'herbe
Il vole
Mon cadavre est doux comme un gant
Violon
Fleurs
 
from Lakmé                                                                       Léo Delibes
	Où va la jeune Hindoue 
	Sous le ciel tout étoilé


This recital presents a selection of French songs and arias by Bizet, Delibes, Debussy, and Poulenc—composers whose works span the late Romantic to early modern eras and together form a vivid portrait of French vocal art.
 
Though separated by a few decades, Debussy, Poulenc, Bizet, and Delibes all stand within the lineage of French lyric expression. From Bizet and Delibes in the late Romantic era—whose operas blended sensual melody with refined orchestral color—emerged a tradition of musical elegance and text sensitivity that shaped Debussy's impressionistic songs. Poulenc, inheriting this legacy, transformed it through wit, irony, and modern harmonic language, yet retained the same devotion to the French poetic word. Together, these composers represent the evolution of French vocal art—from romantic lyricism to symbolist subtlety and twentieth-century sophistication—united by their shared pursuit of color, clarity, and emotional nuance.