【作曲】小交响--准心偏移

射击时，哪怕瞄准稍有偏差都可能导致巨大的失误；这种瞄准过猛却脱靶的情况在生活中也屡见不鲜。命运往往带来意想不到的结果，而这通常并非坏事。 
《准星偏移》是一首为小交响乐团而作的作品，它通过声音探索瞄准与偏差的过程。乐曲以高度紧张的氛围开篇：以升F及其周围微音为中心的持续音调营造出一种专注而克制的氛围。随后，节奏、音域和速度的变化逐渐增强，最终达到音响爆发的高潮——如同子弹射出的瞬间。 爆炸之后，一个全新的音乐图景缓缓浮现，它由截然不同的素材构成：音调、旋律，以及出乎意料的温暖。音乐从这些残余中迅速而有力地发展，最终走向一个始料未及的结局——这个结局并非由完美的瞄准所塑造，而是由偏差所蕴含的意义之美所成就。

In shooting, even a slight deviation in aim can lead to a huge mistake; such situations, where you aim hard but miss, happen frequently in life. Fate often brings unexpected results, and often, this is not a bad thing.
Crosshair offset is a piece written for sinfonietta, explores the process of aiming and deviation through sound. The piece begins with heightened tension: sustained pitches centered around F♯ and its surrounding microtones create a feeling of focus and restraint. Gradually, it developed with increasing changes in rhythm, register and pacing, and ultimately culminates in a sonic detonation—like the instant a shot is fired. 
After this explosion, a new landscape gradually emerges, built from material entirely different in character: tonal, melodic, and unexpectedly warm. From these remnants, the music grows quickly and purposefully, moving toward an ending that could not have been predicted from the outset—an ending shaped not by perfect aim, but by the meaningful beauty of deviation.