我们都如同机器人一样循规蹈矩的生活着【未来车库/另类R&B/微浩室/UK Bass】James Blake–Playing Robots Into Heaven

合集 · House/Electronic/Dance-pop/Glitch/IDM/Microsound (17)

  1. 1:11:33
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  2. 1:07:07
    【美国底特律科技舞曲/酸性科技电子】Jeff Mills - Live at the Liquid Room - Tokyo(1996)
  3. 41:50
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  4. 43:22
    【日本实验电子/抽象氛围】細野晴臣 (Haruomi Hosono) - Archives Vol.1: Beyond Good and Evil(2008)
  5. 38:36
    【日本新世纪音乐/前卫电子/太空时代流行】神谷重徳(Shigenori Kamiya) - Mu(1980)
  6. 45:19
    【加拿大实验电子】The Music Society – Probabilities(1989)
  7. 35:58
    【日本新世纪音乐/前卫电子】神谷重徳(Shigenori Kamiya)- ファラオの墓 (Pharaoh's Tomb) (1982)
  8. 1:05:23
    【日本环境氛围/IDM/数据听觉化/微声/脉冲/噪音/工业】Ryoji Ikeda - Ultratronics (2022)
  9. 1:05:06
    【德国实验电子音乐】Lars Stroschen/Jörg Thomasius/André Ruschkowski – Tonart Vier(1994)
  10. 35:25
    电子奥德赛 开启一场奇幻的旅程【加拿大实验电子/太空时代流行】The Wozard Of Iz – An Electronic Odyssey(1968)
  11. 59:50
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  12. 42:45
    我们都如同机器人一样循规蹈矩的生活着【未来车库/另类R&B/微浩室/UK Bass】James Blake–Playing Robots Into Heaven
  13. 53:42
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  14. 41:32
    对平庸音乐市场的一次宣言 并再一次颠覆流行音乐法则【流行舞曲/泡泡糖贝斯/电气浩室/复古电音/俱乐部音乐】Charli XCX - brat
  15. 8:25
    新专额外三首新加曲 Charli XCX - Brat
  16. 58:33
    如果你也想知道记忆是如何发声的。
  17. 1:19:54
    五星级唱片,地下深浩室的历史级杰作!
Description
2023年9月8日发行

购买实体支持:https://shop.jamesblakemusic.com/

The beats certainly hark back to dubstep days, which means in truth they look back to the late 1990s. Fall Back is a prime example, its vocal chopped up over a full-bodied, two step beat and bass, while keyboards create a bewitching mirage in the middle foreground. Big Hammer is hewn from the same block, percussion and vocals ducking and diving across the stereo picture to thrilling effect.

There are euphoric highs to be found as the album progresses. The clever wordplay of Loading makes it a sad banger, its warm falsetto vocals layered over a serrated rhythm track. It seems wholly appropriate for the worrisome modern age, with a memorable plea for security. “Wherever I go I’m only as good as my mind”, sings Blake, “which is only good if you’re mine”. Fire The Editor has a regretful vocal (“I’ve already failed so many times”) with a winding melody on single finger keyboard. It’s an example of the moving simplicity Blake can bring to his instrumental writing, a feeling enhanced by the title track where it could almost be a quartet of school recorders Playing Robots Into Heaven.

The club heavy numbers on this album are thoughtfully balanced with opportunities for Blake’s soulful vocals to come forward. I Want You To Know takes its chance with both hands, the beats reverberating around a bigger warehouse space while the lead vocal, intimate and closely guarded, makes a plea for the heart. Though the songs are not always fully formed the clubbing view pans out towards the end, Night Sky hinting that the roof has temporarily opened for a glimpse of the stars.
This is a satisfying and at times intoxicating album, dark clouds parting to reveal a bright glitterball in the centre of the picture. It is a unity of the best elements of James Blake’s music – the rare ability to move the feet of a large crowd and the heart of a single bedroom listener simultaneously. He nails both achievements with striking regularity here.

Comments

K-nnnsi 2023-09-11

这张之前spodify听到了,这几天一直在循环,还得是james blake[脱单doge]

♥ 4 ↩ 1

聽點 2024-03-20

tellme那个音色太爽了

♥ 3

病鱼SF 2024-02-09

我老是觉得专辑封面是一群教徒在去山上,中间背着的是一双翅膀

♥ 2

牙痛娘 2023-09-11

希望可以做个歌单[星星眼]

♥ 2

qkdhgteibmxh 2023-09-11

可不是嘛

♥ 2

拉斯冯提莫 2023-09-11

循環4天啦[喜欢]

♥ 2

L0SlzDvCIUZE 2023-09-11

[爱心]

♥ 1

Tumor-Gamma 2023-09-11

意外[2233娘_大笑]

♥ 1