【钢琴】李斯特 - 音乐会释义曲“唐豪瑟序曲” S.442 (Ignaz Friedman)

合集 · Great Performance (94)

Description

Franz Liszt - Ouvertüre zu "Tannhäuser" von Richard Wagner – Konzertparaphrase, S442
Performer: Ignaz Friedman

For some inscrutable reason Liszt subtitled his transcription of the Tannhäuser Overture Konzertparaphrase. A paraphrase it most certainly is not, and, with the tiniest exceptions, it proceeds faithfully, bar-for-bar, with Wagner’s score (the Dresden version, of course) and deserves to be considered alongside the transcriptions of the Beethoven symphonies, the Weber overtures, the William Tell Overture and the major orchestral works of Berlioz. Uniquely amongst Liszt’s works, the score contains no pedal directions at all, but the performer is instructed to use his discretion in the matter. On the face of it, the job is plainly to attempt an orchestral fullness of sound, and the few directions that one can transfer from parallel passages in the transcription of the Pilgrims’ Chorus suggest that one is to paint in broad strokes, and that the brass chords are the important foundation – upper details being of secondary importance. The transcription used to be a very popular warhorse at piano recitals, and it was memorably recorded by the great Benno Moiseiwitsch. Nowadays it is very seldom attempted in public – a pity.

Comments

xhhcbebcj 2020-07-17

这是由伟大的波兰钢琴家伊格纳斯·弗里德曼（1882-1948）于1921年至1926年创作的双艺术钢琴卷录音，在现代立体声中被还原和再现。在这里，弗里德曼演奏了弗朗茨·李斯特（1811-1886）的钢琴改编版，这是理查德·瓦格纳（Richard Wagner，1813-1883）为歌剧《坦豪斯与德·辛格克里格·奥夫·沃茨堡》（Tannhaus und der singerkrieg auf Wartburg）的序曲。这首曲子的技术要求非常高，而且这段录音是我见过的最干净的一次演奏，尽管弗里德曼在润色几首曲子上有些随意——这在当时的歌剧剧本表演中并不少见。我通常对钢琴卷的录音有着复杂的感情，但这无疑是二十世纪最伟大的钢琴家之一的一次表演的非凡记录。

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