【孤独忧郁的共鸣】【美国环境氛围/极简主义/现场录音】Gia Margaret - Romantic Piano（2023）

合集 · Ambient/Drone/ Modern Classical/Minimalism/New Age (53)

Description

2023 年 5 月 26 日发行

Recorded in Evanston, Illinois 2021-2022
Field recordings captured in: Frankfort, Michigan; Bainbridge Island, Washington; Chicago, Illinois

Cover art by Rachel Winslow
Back photo by Brandt_Photo_Monochrome
Insert photos by Ash Dye
Art Direction by Nick Scott

Produced by Gia Margaret
Mastered by Dan Duszynski

At first, Gia Margaret called her new album ‘Romantic Piano’ to be a bit cheeky. Its spare, gentle piano works share more spirit with Erik Satie, Emahoy Tsegué-Maryam Guébrou and the ‘Marginalia’ releases of Masakatsu Takagi than they do with, say, a cozy and candlelit date night. But in that cheekiness lies hidden intention: across the gorgeous set, “Romantic” is suggested in a more classic sense, what the Germans call waldeinsamkeit. Its compositions conjure the sublime themes of the Romantic poets: solitude in nature; nature’s ability to heal and to teach; a sense of contented melancholy.

"I wanted to make music that was useful,” says Margaret, vastly understating the power of the record. ‘Romantic Piano’ is curious, calming, patient and incredibly moving — but it doesn’t overstay its welcome for more than a second.

Margaret’s debut, ‘There’s Always Glimmer,’ was a lyrical wonder, but when an illness on tour left her unable to sing, she made her ambient album ‘Mia Gargaret’ (another cheeky title!) which revealed a keen intuition for arrangement and composition not fully shown on ‘There’s Always Glimmer’s lyrical songs. ‘Romantic Piano’, too, is almost totally without words. “Writing instrumental music, in general, is a much more joyful process than I find in lyrical songwriting,” she says. “The process ultimately effects my songwriting.” And while Margaret has more songwriterly material on the way, ‘Romantic Piano’ solidifies her as a compositional force.