【米奇斯瓦夫·魏因贝格】无伴奏低音提琴奏鸣曲 Op.108 (1971)

合集 · 俄罗斯作品合集 (237)

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https://www.youtube.com/watch?v=Lq3sIL-ZtTo
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原视频简介:
Sonata op. 108 (1971)
for solo double bass
Mieczysław Weinberg (1919-1926)
0:00 Title
0:05 Mvt. I
3:44 Mvt. II
6:08 Mvt. III
8:32 Mvt. IV
10:03 Mvt. V
13:55 Mvt. VI
Performer: Joel Quarrington, Double Bass
Recording: Joel Quarrington: Garden Scene. Modica Music, 2009.
(Original audio source: https://youtu.be/h24ezqzIMjs)

NOTE: There are slight discrepancies between the score and the performance, due to a difference between available editions and the original manuscript.

The Sonata for Solo Double Bass, written in 1971, is the only one of its kind among his collection of instrumental sonatas. In six short movements, it is reminiscent of a Bach suite. The first movement, with its building arpeggios, captures the expository character of a Bachian prelude. The scherzo-like second movement seesaws precipitously between intervals. The third movement is a rustic dance – a carnival whirl or drinking song, perhaps – that periodically evaporates in jittery trails. The fourth movement is in a contrasting vein: as delicate a waltz as the burly instrument can offer. The fifth is a ponderous but lyrical, the solo voice navigating a remarkable trajectory of singing, snarling, and growling. The sixth movement is the most virtuosic, barreling through a hodgepodge of motives and rhythmic figures.

The videos on this channel are intended solely for educational purposes. I do not own the rights to the score or the performance. If, for any reason, any person or entity feels that this video is in violation of their copyright, please contact us immediately at regardstoeighthstreet@gmail.com before submitting a copyright claim to YouTube, and we will do our best to remove the video as soon as possible.

Comments

古典主义66 2021-05-06

20世纪60年代，魏因伯格开始创作一系列无伴奏独奏乐器的奏鸣曲。最早的奏鸣曲是为小提琴和大提琴创作的，到了70年代，他实现了多样化，增加了中提琴、大管和低音提琴的奏鸣曲。这部《低音提琴独奏奏鸣曲》创作于1971年7月。魏因伯格的工作速度很快：这首奏鸣曲是在他完成第一首中提琴独奏奏鸣曲的第二天开始的，六天后完成。魏因伯格在创作这些独奏奏鸣曲时，经常会考虑到特定的演奏者。第一和第三首大提琴独奏奏鸣曲是为罗斯特罗波维奇写的，而第二和第四首则是为瓦伦丁-柏林斯基写的，他是鲍罗丁四重奏的大提琴手。低音提琴独奏奏鸣曲可能是为低音提琴家罗迪昂-阿扎尔辛（1931-2007）写的，也是唯一的一首低音提琴独奏奏鸣曲， 1978年首次出版。这首奏鸣曲有六个乐章，它的结构类似于巴洛克时期巴赫的套曲，但其表达方式更为现代，具有冒险性的和声运动和快速连续的大音程。第一乐章，以其渐强的琶音，捕捉到了巴赫式前奏曲的叙述性的特征。类似谐谑曲的第二乐章在音程之间急剧摇摆。第三乐章是一种进行曲式乡村舞蹈--也许是狂欢节的漩涡或酒歌。第四乐章是一个对比鲜明的脉络：粗笨的低音提琴唱出了的最细腻的华尔兹。魏因伯格后来在他的第21号交响曲《祈祷》（1991年）中重新使用了第四乐章的主题，它再次出现在低音提琴独奏上。第五乐章是一个深思熟虑但抒情的萨拉班德乐章，独唱的声音在歌唱、咆哮和吼叫的非凡变化中游走。第六乐章是最富技巧性的，在一个大杂烩式的动机和节奏中狂奔。

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