【曲谱同步】陈其钢——逝去的时光（二胡与乐队）

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【曲谱同步】陈其钢——逝去的时光（二胡与乐队）

作曲：陈其钢
指挥：吕绍嘉
二胡：严洁敏
乐团：台湾交响乐团

Un temps disparu is a 2002 adaptation of Reflet d’un temps disparu (1995-1996), originally written for cello and orchestra. Here the cello’s part has been recast for erhu, a two-stringed Chinese fiddle (the bow passes between the strings), completely altering the soundworld of the composition. Un temps disparu also makes use of a well- known, ancient Chinese melody called Three Variations on the Plum Blossom, originally conceived for the guqin, a zither-like instrument. This melody is presented by Chen in harmonics, and serves as his principal theme, recurring throughout the piece. His title, Un temps disparu – a vanished time – is a reference to the precious early experiences of life: childhood, first love, first vocation, and so on, a time he sees as reflecting the spiritual harmony between humanity and nature.

Since the erhu is a much more limited instrument (both in terms of range and resonance) than the cello, this piece is extremely challenging for its soloist. Rapid passagework, extended cadenzas, harmonics, pizzicato, singing melodies and figurations which fade in and out of the orchestral texture – all this and more is required of the erhu player, in the midst of an accompanying ensemble of full strings, winds, harp and percussion. Chen’s decision to adapt the work in this way is an attempt to both explore expanded possibilities for the instrument, and lead performers away from traditional repertoire towards a new and more innovative musical approach.

逝去的时光（二胡与乐队）是在2002年对原大提琴与乐队版本（1995-1996）的改编。在这部作品中，大提琴部分被改编为二胡，即一种“中国双弦小提琴”（其琴弓在琴弦间穿过），作品的音效被完全改变。逝去的时光还使用了一首著名的中国古曲《梅花三弄》，其最初是为古琴（一种类似古筝的乐器）而创作的。这条旋律由陈其钢以和声方法呈现，并在整首乐曲中反复出现。曲名 “逝去的时光”指的是人生中珍贵的早期经历：童年、初恋、第一次就职等，他认为这些时光反映了人类与自然之间的精神和谐。

与大提琴相比，二胡的音域和共鸣都更有限，因此对独奏者来说极具挑战性。在弦乐、管乐、竖琴和打击乐的伴奏下，二胡演奏者需演奏快速的段落、更长的华彩、和声、拨弦、歌唱性旋律以及在管弦乐织体中时隐时现的形象。陈其钢决定以这种方式改编作品，既是为了探索二胡的更多可能性，也是为了引导演奏者从传统曲目中走出来，采用一种全新的、更具创新性的音乐方法。

——上述英文摘自于NAXOS《陈其钢：失乐园、二黄、逝去的时光》专辑内页，中文翻译：Deepl+我