【钢琴】勋伯格 - 3首钢琴小品 Op.11

合集 · Neue Musik (22)

Description

Arnold Schönberg - Drei Klavierstücke, Op.11
Performer: Takahiro Sonoda 園田高弘

The Three Piano Pieces were written in Schönberg’s extremely productive creative phase in 1909, during which he also composed the Five Pieces for Orchestra, op. 16, and “Erwartung,” op. 17. Besides fundamental innovations in the handling of material (mainly in the solution of the form-building hierarchy of tonic thinking), important elements of musical tradition remain. In the first piece from op. 11, the rough outlines of a three-part form (A–B–A’) are recognisable, additionally, a conventional thematic work somewhat in the sense of Liszt’s transformation technique is clearly seen at the beginning. Also a connection can be seen with the last piano intermezzi by Brahms, with their closely-woven motival technique, well-balanced articulation and rhythmic structure. The second piece, with its long, melancholy theme over a bass ostinato of two notes can of course be more clearly seen in connection with inherited experience than the final piece, where the considerable density of the writing and impulsive upsurging sounds made Theodor W. Adorno speak of it as an example of “informal” music. In 1910, Schönberg’s radical “need for expression,” instinctive, accompanied by artistic/religious ideas, seemingly unconditional treatment of traditions, in reality turned out to be extremely rationally thought through. Ernst Bloch’s term “logic of expression” seems, applied to Schönberg, to be two-faced: “Every chord,” says the composer, for example in his “Theory of Harmony,” “is a compulsion of my need for expression, but possibly also a compulsion of an inexorable but unconscious logic in the harmonic construction.”

Comments

gintamazh 2021-10-22

个人浅薄理解调性是人生片段里持续一小段的喜悦悲伤爱情浪漫等高光或低潮期而无调性更像是生活里那些被忽视的瞧不起的无意义的绝大部分时光调性是突出的高光的浪漫的优雅的但无调性的包含了更多的虚无枯燥不知所措无所言表的人生体验两者并无高低之分无调性甚至才是生命的本质也说不定[脱单doge]

♥ 176 ↩ 7

顾芷鸢 2019-10-01

我还是很传统的，无调性音乐不太好接受。明明开始的时候风格相当浪漫抒情。

♥ 87 ↩ 15

克洛德-德彪西 2020-02-02

哇第一次听勋伯格(恕我见识短浅) i了i了(｡･ω･｡)

♥ 56 ↩ 14

天比利水 2020-07-20

这玩意已经不适合用五线谱了吧[喜极而泣]

♥ 46 ↩ 2

Goldthanwhite 2019-10-01

太高级的曲子。。业余学钢琴的还欣赏不来。。。

♥ 34

冰葉女孩 2021-07-27

我只想问这种无调性的音乐该怎么背谱子[囧]

♥ 33 ↩ 11

水草卷 2022-02-06

我听不懂，但我大受震撼[惊讶] 我脑中浮现的场景就是一个高级酒店大堂（我也没去过什么高级酒店，比如西湖边的凯悦？）。时间大概在晚上11点，酒店窗外一片漆黑，落地的整块玻璃幕墙外面没有一丝光亮，十分诡异。我走进酒店的自助餐厅，地板是木质的，厚实而沉重，颜色很深。光线很暗，只有几盏昏黄的灯光营造着氛围，再就是每个桌子上的灯，仅仅照亮0.25平方米的桌面。我独自坐下来，发现那里出奇的安静。有人在，但是没有谈话的声音，我能听到咀嚼声，听到摇晃葡萄酒杯中酒浆的声响，还有轻轻的脚步声。餐厅中间有一架自动钢琴，就在这时候开始弹奏勋伯格的op.11。

♥ 41 ↩ 4