【单簧管与钢琴】贝尔格 - 4首片段 Op.5
合集 · Neue Musik (22)
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【弦乐】勋伯格 - 第四弦乐四重奏 Op.37
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【弦乐】贝尔格 - 弦乐四重奏 Op.3
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【单簧管与钢琴】贝尔格 - 4首片段 Op.5
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【小提琴与管弦乐队】贝尔格 - 小提琴协奏曲 纪念一位天使
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【管弦乐队】韦伯恩 - 交响曲 Op.21
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【钢琴】韦伯恩 - 变奏曲 Op.27
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【钢琴】布列兹 - 第一钢琴奏鸣曲
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【钢琴】亨策 - 小奏鸣曲 1947
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【手风琴】古拜杜丽娜 - 自深深处
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【钢琴】列拉·奥尔巴赫 - 10首梦 Op.45
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【钢琴】艾略特·卡特 - 音线
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【钢琴】利盖蒂 - 练习曲集
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【钢琴】利盖蒂 - 音乐探索
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【钢琴与管弦乐队】利盖蒂 - 钢琴协奏曲
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【小提琴与管弦乐队】利盖蒂 - 小提琴协奏曲
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Description
Alban Berg - 4 Stücke, Op.5 (1913) Performer: Sabine Meyer (clarinet), Oleg Maisenberg (piano) Between 1904 and 1909, Alban Berg (1885–1935) took formal lessons from Arnold Schoenberg, first in music theory, then in composition. He concluded these five years of study with the Piano Sonata op. 1 and produced two further works by the following year, 1910: the Lieder op. 2 on texts by Hebbel and Mombert, and the String Quartet op. 3 in two movements. Then, however, Berg stopped completing further works. This was presumably due to external circumstances as well as psychological reasons: for one, Berg had taken on several pupils of his former teacher after Schoenberg’s relocation from Vienna to Berlin and was commissioned to write some piano-vocal scores (Schoenberg’s Gurrelieder and Franz Schrecker’s opera Der Ferne Klang). For another, the first performance of the Piano Sonata in April 1911 had not been given the reception he had hoped for. It was not until 1913 that Berg completed two further works: the Orchesterlieder nach Ansichtskartentexten von Peter Altenberg op. 4 and the Vier Stücke für Klarinette und Klaver op. 5. The Clarinet Pieces needed several more years, however, until they found their way into the public forum. The reason for this is possibly to be seen in the botched premiere of two of the Altenberg Lieder on 31 March 1913, in a concert that provoked a scandal, ended in a tumult and led to a lawsuit. Schoenberg too, as we know from a letter of Berg to his former teacher, also copiously expressed his criticism of Berg’s latest works.