【弦乐与人声】勋伯格 - 升f小调第二弦乐四重奏 Op.10

合集 · Neue Musik (22)

Description

Arnold Schönberg - String Quartet No.2, Op.10
Performers: New Vienna String Quartet, Evelyn Lear (Soprano)

For Arnold Schönberg, the Vienna years around 1908 were a time of artistic breakthrough and severe personal crisis. His family life was jolted by an intimate relationship between his wife Mathilde and the painter Richard Gerstl, who had set up his studio in the Schönbergs’ home in the Liechtensteinstrasse (in Vienna’s 9th District) and had not only given the couple lessons but painted their portraits. The year 1907 marks the beginning of Schönberg’s activity as painter, this being yet another reflection of his need to find an artistic outlet for his inner visions. Compounding this marital crisis was his disappointment at Gustav Mahler’s departure for the United States. It was to counteract these setbacks that, in 1907 and 1908, Schönberg clearly parted ways with musical tradition, dissolving tonal harmony into atonality and entering that expressionist period of his career that would mark electrifying turn in the compositional development of our century. The Second String Quartet in F-sharp minor, op.10, represents a watershed in this evolutionary process both in the handling of material (concision of form, release from consonance) and in the history of the string quartet genre (through the addition of a solo soprano). Having completed the First String Quartet in D minor, op. 7, and the Chamber Symphony, op. 9, Schönberg now turned away from single-movement works and returned to multi-movement cycles.

Comments

ChochoAngel 2023-09-29

对于Arnold Schönberg来说，1908 年左右的维也纳岁月是艺术突破和严重个人危机的时期。他的家庭生活因他的妻子Mathilde和画家Richard Gerstl之间的亲密关系而受到震动。Richard Gerstl在勋伯格夫妇位于Liechtensteinstrasse（维也纳第九区）的家中设立了自己的工作室，不仅给这对夫妇上课，还为他们画了他们的画像。1907年标志着勋伯格作为画家的活动的开始，这也再次反映了他需要为自己的内心的愿景找到艺术的出路。他对Gustav Mahler前往美国的失望加剧了这场婚姻危机。正是为了应对这些挫折，勋伯格在 1907 年和 1908 年明确与音乐传统分道扬镳，将传统的调性和声瓦解为无调性，并进入了他职业生涯中的表现主义时期，这标志着20世纪作曲发展的激动人心的转折。升f小调第二弦乐四重奏（Op.10）代表了这一演变过程的分水岭，无论是在材料的处理（形式的简洁，从协和音中释放出来）还是在弦乐四重奏的历史上（通过增加独唱女高音）。在勋伯格完成他的d小调第一弦乐四重奏（Op.7）和室内交响曲（Op.9）之后，勋伯格开始放弃单乐章作品，回归到多乐章创作中。关于升f小调第二弦乐四重奏（Op.10）最早的证据，在他的第三本速写册中发现，日期为1907年3月9日，同一天他完成了合唱作品《地上平安》（Op.13）。第三乐章于1908年6月11日在特劳恩湖畔格蒙登完成，第二乐章于7月27日完成；第四乐章很可能也是在那里创作的。与他的第一室内交响曲一样，勋伯格反复对他的新四重奏进行修改，其中包括为弦乐团进行多次改编：

♥ 24 ↩ 3

mdr9999_曲谱同步 2023-09-29

啊这，我也打算做来着（计划用Arditti Quartet的录音）。不过，做勋伯格视频是伟大的、值得被赞美的。[热词系列_三连]

♥ 10

Richard-Strauss 2023-09-29

Henle好评，勋伯格真的太好了

♥ 5

-GdN- 2023-10-17

非常好视频，使我旋转

♥ 2

ryimshad 2023-10-04

好听[星星眼]

♥ 1